Michelle Haner
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Now in her third year as the founding Urban Engagement Coordinator at the French-American International School of San Francisco, Michelle has spear-headed initiatives including an internship program, school-wide service days, and a speaker-salon series. In 2020-21, she has taken these into online formats and forums. For example, online salons on "Design & Design Thinking", "Criminal Justice Reform", "Art & Science in the Time of Covid-19" and "Raising our Voices and Forging Community Through the Arts" have brought together a range of speakers from across the Bay Area. 

She also serves as Artistic Director of the school's vibrant, well-established theater company, Back à Dos. Here, she continues to oversee a robust 4-show season. In 2020-21, this has included live-streamed online productions.

Favorite projects at French-American of the past two years include working on George Orwell's 1984 and Electric Voices, an immersive interdisciplinary work on the refugee experience.  In Spring 2021, she directed Ann Carson's Antigonick. This was framed by a larger international exploration of the figure of Antigone with collaborating teachers and student-artists in Sri Lanka and Colombia, as well as Bay Area artist, Elizabeth Spreen.


In 2021, Antigone is also a focus of her artistic work within Blue Monkey Works, the company she leads with Steve Morgan Haskell. They are also working on a piece about the Plague, as depicted by artists through history. 

In 2021, Michelle has also been continuing her work with Tom Bentley-Fisher, an important collaborator in recent years. In spring 2021, they shared an initial two-person exploration of Hamlet, reflecting a shared, on-going conversation with this play, its themes and characters.

(Michelle co-directed a bilingual production of Hamlet with Franck Bessone in 2016 and explored it further in Sheryl, Hamlet and Me, a one-woman show directed of Ben Yalom with foolsFURY .... so work on Hamlet continues to thread through her trajectory).


In terms of international collaborations, Michelle continues artistic conversation with Moise Toure of Les Inacheves, a key thought partner since 2011, and Denis Bisson, Director of Sud-Nord (South-North). 

Other work in the international arena has included leading foolsFURY's French Plays Project, dedicated to the translation of contemporary French plays. For foolsFURY, Michelle notably translated and directed the 2015 US Premiere of Fabrice Melquiot's The Unheard of World.

For the Playwrights Foundation, Michelle has translated Leonore Confino’s Les Uns sur Les Autres and Nathalie Fillion’s A L’Ouest (co-translated with Emily-Jane Cohen). In 2020, she co-translated (with Emily-Jane Cohen) Nathalie Fillion's Plus Grand Que Moi, i.e. Bigger than Me